I went to see the play
Middletown by Will Eno, performed by the Metropolitan State University of
Denver Theatre on Thursday, April 23rd. The show was directed by
Scott Lubinski.
There was a lot more movement in the show than I was
expecting. I thought it would be a less physical show but that was not the
case. Right off the bat, the Cop assaulted the Mechanic, holding him in a choke
hold with his nightstick. From my angle I could see the cop from behind and not
so much the mechanic but I could see that the nightstick was not near the
Mechanic’s throat, there was at least a hand’s distance between it and his
neck. They were in complete control without letting it seem too staged.
Unfortunately, being in the space that we were in, where everything could be
seen from all angles, it was a bit easier to see the staging behind this moment
but it didn’t change the fact that it looked really good.
Each character had a unique movement style as well. The
cop seemed very grounded with his walk, it really gave him a very authoritative
characteristic that I quite enjoyed and helped me believe his character. He also
seemed to have a very potent energy, it drew you in and was very commanding
with his presence. The Librarian had a radiant energy. I could feel the energy,
for lack of a better term, radiating out of her. She brought a great life to
the stage when she entered the scene. I could go into every single character but
those were the ones I was able to feel and identify right away.
I can’t talk about the movement in Middletown without
mentioning the Native American dance toward the end of the show. The entire
cast comes out and they do a Native American style dance together. They were in
sync with each other and it was a joy to see. It wasn't perfectly in sync but
it didn’t need to be. The fact that they were so attached to each other’s
movements, made it more powerful. They all had a potent and powerful energy and
they did a lot of skips and some small jumps during this segment as part of the
dance.
Jordan Silber
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