This is the blog for the Stage Movement Class at Metro State University in Denver. We'll be discussing our readings and viewings for class here.

Apr 3, 2015

I've got some 'splainin to do!


 


Lucille Ball

“That was Lucy: slapstick Garbo, female clown of the century, by every standard the First Lady of Television. I Love Lucy, her original series, was the most popular sitcom in TV history. In 1952 the show captured 67 of every 100 viewers at 9 on Monday nights, and for four of its six years (1951-57) on the air it ranked No. 1 in the Nielsen ratings. The Lucy Show (1962-68) and Here's Lucy (1968-74) ran for nine seasons in the Top 10. And for 32 years reruns of I Love Lucy have dominated the worldwide syndication market. As one fan said   "Every minute of the day, somewhere, someone is watching I Love Lucy.”

-          People Magazine, 1989

Lucille Ball was actually given the chance to start “I Love Lucy” because of a clown routine that she performed.   The television networks had originally rejected her request to do a series co-starring Desi Arnaz, her Cuban born husband.  They did not think the public would accept the two of them together.  So, to prove that their concept would work, Ball and Arnaz went on a tour of theaters and made a pilot film.  The basis for their act and film was a musical clown routine created by Pepito the Spanish Clown.  He supplied them with the props, including a gimmicked cello, and taught Lucy how to do his routine.  The success of the act and the film convinced CBS to allow the couple to try out their series.  Ball later repeated Pepito’s musical clown act in an episode of the show, and Pepito also performed some of his other routines as a guest star on another episode.

                Lucy Ricardo is an extremely physical character. All of her movements are big, even when she’s just doing dishes and brushing off her dress. I’ve noticed that often she either takes up a ton of space and needs plenty of room, or is right in someone else’s bubble of personal space. Along with her body movements, Lucille also had a rubber face. She could contort it into all sorts of crazy positions that sometimes don’t even seem possible. (I included an image of a common one) She was incredibly expressive with her mouth and used intense lip color to accent it. Her bright, doll like eyes were also an advantage, making her fascinating to watch.
 

The show itself uses physical humor and classic clown behavior. An episode usually consists of poor Lucy recognizing a problem, coming up with a scheme to remedy said problem. Then, her solution only makes things more complicated and creates an overwhelming mess for Lucy to scramble around fixing. Another common scenario is a misunderstanding between Lucy and her husband or their landlords. In an episode I watched the other day, the couple was on a cruise and Lucy was upset because Ricky was there as entertainment and had to work so she locked him in their room together. When he wanted to leave, she did everything in her power to distract him so he wouldn’t find out she lost the key. She started dancing with him, got him to inspect the furniture in their room, and threw things all over. When she decided to call for help, she yelled out their window and ended up getting stuck in it. Then, she tried all sorts of ways to get unstuck: pushing, bending, pulling, wiggling, shimmying, stretching. The whole thing was pretty ridiculous. The woman was an expert at appearing ditzy and out of control, which, ironically, takes a lot of precision.
                            https://www.pinterest.com/pin/88735055133449604/
 
-Audrey B

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